Edmund Clark

British, 1963–present

Clark’s work links issues of history, politics and representation through a range of references and forms including photography, video, documents, found images and other material. A recurring theme is engaging with state censorship to represent unseen experiences, spaces and processes of control in contemporary conflict and other contexts.

Clark has published six books and been exhibited widely including in major solo museum exhibitions at the International Center of Photography Museum, New York, the Imperial War Museum, London, and Zephyr Raum für Fotografie, Reiss-Engelhorn-Museen, Mannheim. His work has been acquired for national and international collections including the ICP Museum and the George Eastman House Museum in America and the National Portrait Gallery, the Imperial War Museum and the National Media Museum in Great Britain.

Awards include the Royal Photographic Society Hood Medal for outstanding photography for public service, the British Journal of Photography International Photography Award and, together with Crofton Black, an ICP Infinity Award and the inaugural Rencontres d’Arles Photo-Text Book Award.