Christian Houge

Residence of Impermanence

30 August — 24 November, 2019

Houge’s work forms a message rooted in the now antiquated concepts of colonialism, twinned with a questioning of the overexploitation of Earth’s resources. And, unfortunately, the latter remains an urgent issue.

EXHIBITION

These dramatic images of burning animals elicit a strong emotional response. Even though you know they’re mounted animals, it feels like the crackling flames bring them back to life.

Trophies have long served as powerful symbols, their exact meaning varying with context. When colonialists began killing animals in the countries they considered “their colonies”, naturally they wanted to exhibit these lions, giraffes, buffalos, tigers, leopards, wolves, elephants and many other now endangered species – and an entire industry centred on taxidermy blossomed. The animals were mounted in positions that we humans consider typical of the symbolic values we’ve assigned them.

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“The photographs are of such a nature that they elicit an immediate reaction from the viewer. What is it we’re actually looking at? How can Houge, in his exhibition Residence of Impermanence, make such beautiful artwork from something as emotionally charged as burning mounted animals? Naturally, these are questions that many people will ask themselves in the exhibition hall here at Fotografiska. And we’re a place that loves to ask questions, rather than always offer answers,” says Lisa Hydén, Exhibition Manager at Fotografiska Stockholm.

Schedule

Aug
30

Exhibition opens

Nov
24

Exhibition closes

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